The Bloomsbury handbook of popular music and social class
Record details
- ISBN: 9781501345364
- ISBN: 9781501345371
- ISBN: 1501345370
- ISBN: 1501345389
- ISBN: 9781501345388
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Physical Description:
1 online resource (xviii, 598 pages)
remote - Publisher: New York, NY : Bloomsbury Academic, 2020.
- Copyright: ©2020
Content descriptions
Bibliography, etc. Note: | Includes bibliographical references and index. |
Formatted Contents Note: | Introduction -- Part I: Methodologies. Being in-between: popular music and middlebrow tastes -- The impact of social class on parental responses to popular music in Britain, c.1955-1 -- Social class and the negotiation of selling out in a Southern California indie rock scene -- It's up to you: class, status, and punk politics in rock against racism -- Hegemony, symbolic violence, and popular music education: a matter of class -- “every noise at once”: online music discovery maps and cosmopolitan subjectivities -- Art at the cutting edge: class, cultures, and globalization in African and Middle Eastern world music -- Part II: Theoretical approaches. Popular Gaahl-monster or postmodern Prometheus?: masculinity, class, and Norwegian black metal -- Women's music, #20GAYTEEN, and lesbian hip-hop: shifting voices of class, race, and sexuality in WSW's popular musics -- “I dream it, I work hard”: race, class, and labor in US Popular music -- Class, religion, and music: concepts and questions -- Hard hats and hoodies: the songs of two working-class British protest singers -- Brothers in rock: Argentine and British rock music during the Malvinas/Falklands War -- "Dances for the masses": revolution, class, proletarian music, and dance in Cold-War Ukraine -- Part III: Genres. LeRoi Jones, jazz, and the resonance of class -- The blues and the development of the African American working class before World War II -- "Lord have mercy on the working man": country music, respect, and social class -- The long march to the top of the social ladder: neo-folk music in socialist Yugoslavia and post-socialist Serbia -- From consent to resistance: punk rock and social class -- The bourgeois blues?: rock music and class -- Sufferers in Babylon: a Rastafarian Perspective on Class and Race in Reggae -- "Bring It on Home": Constructions of Social Class in Rhythm and Blues and Soul Music, 1949-1 -- The Routes of Hip-Hop in Cape Town: collective performance practices and the embodied sociality of the ghetto -- Electronic popular music as site and sign of social class: a multidimensional analysis -- Class divisions and the overlap of taste in new digital popular music formats in China -- Music maketh man: meritocracy in Kingsman: the secret service. |
Source of Description Note: | Description based on online resource; title from electronic title page (ProQuest Ebook Central, viewed on January 13, 2021). |
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Genre: | electronic book > ebook Electronic books. |